This vision resulted in the grand Ahwahnee Hotel of the Yosemite Valley - legendary for its careful and considered use of authentic California Indian designs. The Wawona lodge was built to accommodate visitors to the Mariposa Grove. The Glacier Point Mountain House welcomed visitors who summited the peak. And believing that these experiences were not affordable for everyman, David Curry established the infamous Camp Curry, an affordable community of tent cabins also on the Valley floor. In 1923, Superintendent Washington Lewis even advocated for High Sierra Camps in the backcountry, providing meals and lodging for backpackers.
In today’s park, this much use has become a mounting challenge to modern ideas of wilderness. Because people and industry are more prevalent in so many varieties, park management is also more visible. In our time at Yosemite, we found park rangers inaccessible, because of the reach of the Press Office, working to control the message of the park. But that’s not to say that the park hates its human use. Yosemite celebrates its four official partners: the Yosemite Conservancy, the Ansel Adams Gallery, NatureBridge, and Yosemite Hospitality (a subsidiary of Aramark). To many visitors, it’s these concessions that shape their visit. And so together, somewhere of and in-between these commercial ventures, lies the experience of Yosemite National Park.
A Romantics’ Confluence
The formation of many parks were aided by a unique moment - when romantic writers and painters were choosing landscape as their subject. As the first protected land, Yosemite became a mecca. Painters like Albert Bierstadt, Thomas Moran, and Thomas Hill painted this Valley. Photographers like Chris Jorgensen and later Ansel Adams, shot mountain ranges on more easily reproducible plates. Musicians wrote popular tunes about their visits to this landscape, capturing waterfalls in meter. And John Muir, who of all the lands he advocated, loved Yosemite the most. “It is by far the grandest of all the special temples of Nature I was ever permitted to enter,” he would write. Accounts like these gave President Lincoln, and soon the general public, a reason to hear the gospel of granite.
The early tourism industry, eager to capitalize on its new commercial ventures, built its attractions in the image of the romantic movement. Although we’re often wary of stories about the “good old days,” (which almost always sets up a complaint), the confluence of romantic era artists, early tourism, and yet-established-wilderness regulations make for some spectacular moments of Yosemite’s past.
David Curry had a particular flair for the dramatic. Every evening in Camp Curry, dressed in a dapper white suit as the ‘stentor,’ his call and response with Glacier Point would proclaim it: “Let the Fire Fall!” His colleague on the 3000-foot peak of Glacier Point took his cue to push the embers of a fir fire off the edge of the cliff, creating an orange streak of embers that streamed down to the valley below. Although the Firefall no longer operates, the traditions of “Elmer!” and the Bracebridge Dinner still live on. These events worked their way into the memories of visitors, the traditions of family, and the myths of a magical park that once was.